A big part of my enjoyment of L5R is thinking about the relationships between the Great Clans and how Rokugan's samurai stereotype one another (and themselves, honestly) within their very self-conscious cultural context. It is a very factionalized, judgmental setting, which is a big part of the fun. For me, this is the biggest "hook" of the IP: that I can strongly identify with an in-setting POV as a window into its world. This is the (very judgey!) way I imagine the other Great Clans from my take on a Lion-centric bias:
- Crab's impressive skill and perseverance are tainted by a morbid sense of self pity; it is difficult to completely respect Crab.
- Crane sometimes pushes elegance too far, into decadence, but they create beauty that justifies the Empire.
- Dragon comes off better, and certainly more clearly, individually than as a whole.
- Phoenix is like a spoiled child - not only in the negative sense, but also in the sense of being the object of indulgence.
- Scorpion lies so convincingly because they have lost the way back to truth.
- Unicorn openness to foreign things reveals a lack of meaning and confidence in themselves.
Overall, I think Lion perceives there being "inside clans" and "outside clans." The former define the essence of Imperial cultures - these would be Crane, Lion, and Phoenix. The latter are conflicted and marginalized - these would be Crab, Scorpion, and Unicorn. Dragon is somewhat liminal; in some ways, essential and iconic but, in other ways, skeptical and out of place. What I would call the "inside clans" produce the essential features of Imperial culture: civilization, learning, and honor. These are the "static" or conservative strains of Rokugan. The more flexible, practical, or even liberal elements are exemplified by the "outside clans" - but, from a Lion perspective, this makes it tempting to look down on them. They tend to say, we make your arrogance possible; but we would reply, without our cultivation, you'd have no justification for your vulgarities.
Edited by Manchu