You've had nearly eighteen years to get over that frustration. I can understand that after all that time hammering oneself in the hole of prequel hatred, it's tough or even impossible that the creators of the prequels did a perfectly fine job.
It's a scab that's always there. The disappointment is still palpable. I expected so much , only to find so little , that years later just the memory of that is enough to make me post on forums angrily about it. That is... the pain of the Fanboy.
I do find it subtly hilarious, however, that Mark is somehow willing to overlook the gaping plotholes in the prequel trilogy yet complain viciously about the ones in Episode 7. Or maybe I'm mistaking him for someone else...
And Forresto... I used to like the original Teenage Mutant Ninja Turtles cartoon when I was that age. I LOVED it. Was popular with my friends because I was the only one who owned all the prime badguys AND April, making it easy to set up the playtime bad guys. Owned VHS cassettes of the episodes and even had the tech and the time to record them as they were broadcast - mostly because I refused to get up early enough to watch them.
But in rewatching them, those original cartoons are a hot ******* mess. Unwatchable if you're over the age of 12. Strictly designed to appeal to dumb kids that didn't know any better and sell them toys. Animation? Inbetweening? Writing? Plotline? Character development? HAH!
Compared to something WITH effort, even from the same general era (Darkwing Duck, Tiny Toons, Batman TAS) it's no contest: they were terrible . But because those TMNT cartoons are from childhood experiences, I know more than a few adults around my age who claim that they're good , for no better reason than "I was a kid when I liked them."
The things we like as children aren't in any way based on how good or awful those things objectively were.
The prequels are objectively awful.
The acting is wooden. The script is terrible. Each one creates multiple plot holes that don't need to exist because you had the original movies right in front of you to reference and dozens of fanboys to consult who work for you and grew up with the movies, Lucas . Instead of being written as appealing to all audiences, they're written for children except for the ham-handed political stuff which adults don't care about either. Every shot CLEARLY takes place on a green screen stage less than forty feet long. There was no editorial work on the first and barely any on the second. The only battle which has any sense of drama or passion is the final one between Anakin and Obi-Wan. It was written to sell toys first, tell the story of Anakin's fall third or fourth.
All of them have interesting ideas, they do get better after the first one, and Revenge of the Sith is not the worst movie I've ever seen and was for the most part even good (aside from Plothole #47: How Does Leia Remember Her Mom When Padme Dies Ten Seconds After Giving Birth From Being So Sad?), but man...
Compare Phantom Menace to something where effort was put in and everyone had carefully thought about its place in the series, like, oh, Rogue One.
Edited by iamfanboy