Am I out to lunch in seeing the "depth of failure" (as you put it) as being pretty consistent with the Star Wars narrative in general?
I was obviously being glib in my summary, and I concede that the amount of manipulation necessary to create said tension is variable. But surely we all could have foreseen different alternatives -- some more sad, others less so. That's down to opinion, rather than narrative quality.
I also didn't see the film as a series of gut punches per se. I saw people who had gone through hell and had lived to tell the tale (well...at least until the start of TFA). I actually liked that Han went back to being a swindler. (I liked that a LOT, actually). Han and Leia's son going dark was pretty much directly in keeping with the IP and I see nothing harsh or unnecessary about it.
I saw these "undoings" as being a consistent part of the Star Wars universe -- even if they were an emotional challenge.
Fairly put. I perhaps over-responded. I saw your comment as simplifying an article that had actually already talked at some length in advance about the counter-point you made. Felt it was unfair. Yes, in some ways it is in keeping with the pattern of failure that is often laid down in Star Wars. Parents and children failing each other... it's a consistent motif, at least. I will concede it!
I'm not saying it has to be a show-stopper or bother everyone the same way. It was just an article I read that struck a chord with me. I realized as I read it that I felt somewhat similarly. Han and Leia's enduring loneliness and failure of their love is one of the things that contributed (I don't call it a fatal flaw) to me leaving the cinema feeling a little deflated.
I used the term "classical" in my last post. Mythological might have been a better term. Star Wars has always had a grand sweeping epicness about it. Now that can be Heroism as in RotJ, or it can be Tragedy as in RotS. But TFA didn't feel like either to me - or any great drama. Things like Leia and Han growing apart because they couldn't deal with the loss of their son, that's a different nature of emotional plotting. Like secondary colours to the primary of the OT and PT, if that analogy works for anyone.
I realize that my last several posts have been focused on the negative. There were things I enjoyed quite a bit in the film. The interactions between Han and Rey were great. Rey and Fin were excellent. At the opening I thought Abrams had dropped the ball on the cinematography with just the dull appearance of a planet. But then that Star Destroyer cut off the view of the planet in shadow and it returned the traditional Star Wars technique of unexpected scale shifts.
Anyway, sharing my thoughts.